Difference between revisions of "Great Moyad"

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The Great Moyad is the most important work of ancient Ithatian epic poetry in the [[West]].  Composed no later than the 8th century before [[Salmakhamer]] and attributed to the authorship of the semi-legendary bard, [[Memerth]], the work is divided into sixteen books and narrates the principle heroic characters of the [[Moyan War]]  to the culmination of the legendary conflict.  The war was dated by later Ithatian scholars to the thirteenth century [[AS]].   
 
The Great Moyad is the most important work of ancient Ithatian epic poetry in the [[West]].  Composed no later than the 8th century before [[Salmakhamer]] and attributed to the authorship of the semi-legendary bard, [[Memerth]], the work is divided into sixteen books and narrates the principle heroic characters of the [[Moyan War]]  to the culmination of the legendary conflict.  The war was dated by later Ithatian scholars to the thirteenth century [[AS]].   
  
;Principle Characters
+
;Principle and Subsidiary Characters
 
:King Kuphtha of Moya
 
:King Kuphtha of Moya
:King Throntiacus, Leader of the Ithatian Tribes
+
:Over-King Throntiacus, Leader of the Ithatian Tribes
 
:Iontarion, Ithatian Priest of the God Azephassus
 
:Iontarion, Ithatian Priest of the God Azephassus
 
:Ixopos, hero of the Ithatian tribes
 
:Ixopos, hero of the Ithatian tribes
:Terethunto, daughter of King Kuphtha of Moya
+
:Terethunto, daughter of King Kuphtha of Moya and Queen Sabractë
:Apromion: Moyan sorcerer
+
:Apromion: Moyan sorcerer, aficionado of Kirxios, summons fire down upon the Ithatians, but is later betrayed and slain
 
:Bellondos: Son of Kuphtha, expert gibgibsew rider
 
:Bellondos: Son of Kuphtha, expert gibgibsew rider
 +
:Ilygdina, sorceress and soothsayer, held captive by King Kuphtha; she foretells their doom
 +
:Sabractë: Queen of Moya, consort to King Kuphtha
 +
:Ussemima: Consort to King Kuphtha, and worshiper of the goddess Dassena (Dáwan).
 +
:Tarassos: King of Maturn, subject to Throntiacus.  Tarassos is a worshiper of Kirxios who curses the king for attacking Moya whom the god favors. He loses his magical powers and must use his cunning to outwit the Moyans.
 +
:Libiris: female divinity that helps King Kuphtha.
  
 
;Principle Involved Divinities
 
;Principle Involved Divinities
Line 15: Line 20:
 
:Erre [pro-Ithatian]
 
:Erre [pro-Ithatian]
 
:Rhionacus [pro-Moyan]
 
:Rhionacus [pro-Moyan]
:Kirxios
+
:Kirxios [pro-Moyan]
 
:Azephassus [pro-Ithatian]
 
:Azephassus [pro-Ithatian]
 
:Orsis [pro-Moyan]
 
:Orsis [pro-Moyan]
:Magdê
+
:Magdë
 
:Parkyo
 
:Parkyo
 
:Daia
 
:Daia
Line 25: Line 30:
  
 
;Represented Groups
 
;Represented Groups
*Ithatian Humans
+
*Ithatian Humans (including sundry tribes)
 
*Moyan Humans (descended from Malesggite forebears with strong Pallathantic influences)
 
*Moyan Humans (descended from Malesggite forebears with strong Pallathantic influences)
 
*Tritons
 
*Tritons
 
*Stone Giants
 
*Stone Giants
 +
*Shadevan Trolls
 +
*Ambrulian Giants
 +
*Narshadite Sea Merchants
 +
*Jaggudorn Dwarves
  
 
;Represented Creatures
 
;Represented Creatures
 
:gibgibsews
 
:gibgibsews
 
:organchan vorax
 
:organchan vorax
 +
:wyverns
  
;Notable Events
+
;Notable Events and Passages
:Two heroes exchange protective divinities as guest-friends
+
:Two heroes from opposite sides of the conflict exchange protective divinities as guest-friends
 +
:Apromion calls fire down from the sky at night to attack the Ithatians, some are slain some miraculously delivered, some injured
 +
:Apromion is deceived and slain shortly before the Ithatians enter Moya.
 +
:King Kuphtha’s charge to his son, Bellondos
 +
:Description of Walled Moya
 +
:Catalogue of warrior-chieftains
 +
:The god Heliops directs another divinity to send a dream with the truth to King Kuphtha.  However, due to his mortal limitations, he misunderstands the dream.  The message is that mortals resist the truth.
 +
 
 +
;Narrative Referenced Subjects
 +
*hero Magdaias (cf Addan)
 +
*the sea merchants of Narshad
 +
*Astronomers of Kalama
 +
*Thetzisari Tribesmen and their legends
 +
*Sun priestesses of Zamaclë
 +
*Description of walled Moya
 +
 
 +
;Literary Themes and Messages
 +
:Even the gods can be blinded, a man must know truth according to his inner vision
 +
:One can work great magic and power through the gods, only to be brought down to destruction
  
 
;Sixteen Books (corresponding to sixteen holy months of year)
 
;Sixteen Books (corresponding to sixteen holy months of year)
 +
:Book One:
 +
:Book Two:
 +
:Book Three:
 +
:Book Four:
 +
:Book Five:
 +
:Book Six:
 +
:Book Seven:
 +
:Book Eight:
 +
:Book Nine:
 +
:Book Ten:
 +
:Book Eleven:
 +
:Book Twelve:
 +
:Book Thirteen:
 +
:Book Fourteen:
 +
:Book Fifteen:
 +
:Book Sixteen:
  
 
=See Also=
 
=See Also=
Line 44: Line 88:
 
*[[Moya]]
 
*[[Moya]]
  
 +
[[Category:Books and Documents of Asdar]]
 +
[[Category:Scriptures of Asdar]]
 
{{stub}}
 
{{stub}}

Latest revision as of 21:49, 3 February 2018

The Great Moyad is the most important work of ancient Ithatian epic poetry in the West. Composed no later than the 8th century before Salmakhamer and attributed to the authorship of the semi-legendary bard, Memerth, the work is divided into sixteen books and narrates the principle heroic characters of the Moyan War to the culmination of the legendary conflict. The war was dated by later Ithatian scholars to the thirteenth century AS.

Principle and Subsidiary Characters
King Kuphtha of Moya
Over-King Throntiacus, Leader of the Ithatian Tribes
Iontarion, Ithatian Priest of the God Azephassus
Ixopos, hero of the Ithatian tribes
Terethunto, daughter of King Kuphtha of Moya and Queen Sabractë
Apromion: Moyan sorcerer, aficionado of Kirxios, summons fire down upon the Ithatians, but is later betrayed and slain
Bellondos: Son of Kuphtha, expert gibgibsew rider
Ilygdina, sorceress and soothsayer, held captive by King Kuphtha; she foretells their doom
Sabractë: Queen of Moya, consort to King Kuphtha
Ussemima: Consort to King Kuphtha, and worshiper of the goddess Dassena (Dáwan).
Tarassos: King of Maturn, subject to Throntiacus. Tarassos is a worshiper of Kirxios who curses the king for attacking Moya whom the god favors. He loses his magical powers and must use his cunning to outwit the Moyans.
Libiris: female divinity that helps King Kuphtha.
Principle Involved Divinities
Heliops [pro-Moyan]
Pallatha [pro-Ithatian]
Erre [pro-Ithatian]
Rhionacus [pro-Moyan]
Kirxios [pro-Moyan]
Azephassus [pro-Ithatian]
Orsis [pro-Moyan]
Magdë
Parkyo
Daia
Manduo
Asgion
Represented Groups
  • Ithatian Humans (including sundry tribes)
  • Moyan Humans (descended from Malesggite forebears with strong Pallathantic influences)
  • Tritons
  • Stone Giants
  • Shadevan Trolls
  • Ambrulian Giants
  • Narshadite Sea Merchants
  • Jaggudorn Dwarves
Represented Creatures
gibgibsews
organchan vorax
wyverns
Notable Events and Passages
Two heroes from opposite sides of the conflict exchange protective divinities as guest-friends
Apromion calls fire down from the sky at night to attack the Ithatians, some are slain some miraculously delivered, some injured
Apromion is deceived and slain shortly before the Ithatians enter Moya.
King Kuphtha’s charge to his son, Bellondos
Description of Walled Moya
Catalogue of warrior-chieftains
The god Heliops directs another divinity to send a dream with the truth to King Kuphtha. However, due to his mortal limitations, he misunderstands the dream. The message is that mortals resist the truth.
Narrative Referenced Subjects
  • hero Magdaias (cf Addan)
  • the sea merchants of Narshad
  • Astronomers of Kalama
  • Thetzisari Tribesmen and their legends
  • Sun priestesses of Zamaclë
  • Description of walled Moya
Literary Themes and Messages
Even the gods can be blinded, a man must know truth according to his inner vision
One can work great magic and power through the gods, only to be brought down to destruction
Sixteen Books (corresponding to sixteen holy months of year)
Book One:
Book Two:
Book Three:
Book Four:
Book Five:
Book Six:
Book Seven:
Book Eight:
Book Nine:
Book Ten:
Book Eleven:
Book Twelve:
Book Thirteen:
Book Fourteen:
Book Fifteen:
Book Sixteen:

See Also