Difference between revisions of "List of Operas"
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|[[A Daughter for the Queen]]||[[]]||[[]]||align="center"|2648||[[Aurice]]||Tragicomedy|| | |[[A Daughter for the Queen]]||[[]]||[[]]||align="center"|2648||[[Aurice]]||Tragicomedy|| | ||
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− | |[[The Bathtimes of Lord Ulcanov]]||[[]]||[[]]||align="center"|2649||[[Aurice]]||[[Aurician Dark Comedy]]|| | + | |[[The Bathtimes of Lord Ulcanov]]||[[Enrayom the Cantiran]]||[[Tmaru Vazancha]]||align="center"|2649||[[Aurice]]||[[Aurician Dark Comedy]]|| |
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|[[The Curse of House Bijäl (Opera)]]||[[]]||[[]]||align="center"|2653||[[Johaulia]]||Tragedy|| | |[[The Curse of House Bijäl (Opera)]]||[[]]||[[]]||align="center"|2653||[[Johaulia]]||Tragedy|| |
Revision as of 15:37, 25 October 2014
Both Johaulia and Aurice claim to be the cradle of Pallathantic Opera. The other great capitals, Trevirs, Bryndyd, Verdida, Rhafyx, Yophénthë can boast of their own fine productions, but make no such claims. Opera or high musical theater began in modern times in the twenty fifth century in the cultural centers of Vindalia, chiefly Johaulia, Asdrallen, and Aurice. The art form spread through the early twenty sixth century into Ithatia, western Corundy, southern Pytharnia, and Erechóreb. Operatic theaters celebrated their favorite operas in southern Barathorn and northern Orrhymby. Tragic opera was the standard well into the twenty sixth century, but the rising trend for comedy began nearly at the start of the same century. Towards the latter half of the twenty seventh century, the Aurician masters, Enrayom the Cantiran and Tmaru Vazancha, developed Dark Aurician Opera with its virtually sadistic treatment of characters. The Auricians also developed the adventure-themed opera (compare dramatic) which many critics considered little more than lightly veiled state propaganda for Aurice's then ongoing campaigns in Eloaria. The Johaulians achieved extraordinary accomplishments during the second half of the twenty seventh century in lyric opera. Bryndydite composers and librettists brought sacred opera to the forefront. Trevirite audiences favored opera buffa.
Opera Name | Composer | Librettist | Year | Venue | Style | Remark |
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The Last Suitor | [[]] | [[]] | 2583 | Aurice | Tragedy | |
The Sorcerer of Ugorn (Opera) | [[]] | [[]] | 2591 | Aurice | Comedy | |
The Banquet of Lord Levancrine | Nardolo | [[]] | 2614 | Aurice | Comedy | |
Dragonlord | [[]] | [[]] | 2619 | Aurice | Tragedy | |
A Daughter for the Queen | [[]] | [[]] | 2648 | Aurice | Tragicomedy | |
The Bathtimes of Lord Ulcanov | Enrayom the Cantiran | Tmaru Vazancha | 2649 | Aurice | Aurician Dark Comedy | |
The Curse of House Bijäl (Opera) | [[]] | [[]] | 2653 | Johaulia | Tragedy | |
Sangorn's Watch | [[]] | [[]] | 2654 | Aurice | Adventure | |
Sempiterne | [[]] | [[]] | 2658 | Aurice | Tragicomedy | |
Indolise | [[]] | [[]] | 2717 | Aurice | Tragedy |
|x||[[]]||[[]]||align="center"|x||x||x|| |-
See Also
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