Difference between revisions of "List of Operas"

From WorldofAsdar
Jump to navigation Jump to search
m
m
 
(10 intermediate revisions by the same user not shown)
Line 1: Line 1:
Both [[Johaulia]] and [[Aurice]] claim to be the cradle of Pallathantic Opera.  The other great capitals, [[Trevirs]], [[Bryndyd]], [[Verdida]], [[Rhafyx]], [[Yophénthë]] can boast of their own fine productions, but make no such claims.  Opera or high musical theater began in modern times in the twenty fifth century in the cultural centers of [[Vindalia]], chiefly [[Johaulia]], [[Asdrallen]], and [[Aurice]].  The art form spread through the early twenty sixth century into [[Ithatia]], western [[Corundy]], southern [[Pytharnia]], and [[Erechóreb]].  Operatic theaters celebrated their favorite operas in southern [[Barathorn]] and northern [[Orrhymby]].  Tragic opera was the standard well into the twenty sixth century, but the rising trend for comedy began nearly at the start of the same century.  Towards the latter half of the twenty seventh century, the Aurician masters, [[Enrayom the Cantiran]] and [[Tmaru Vazancha]], developed [[Dark Aurician Opera]] with its virtually sadistic treatment of characters.  The Auricians also developed the adventure-themed opera (compare dramatic) which many critics considered little more than lightly veiled state propaganda for Aurice's then ongoing campaigns in [[Eloaria]].  The [[Johaulia]]ns achieved extraordinary accomplishments during the second half of the twenty seventh century in lyric opera.  [[Bryndyd]]ite composers and librettists brought sacred opera to the forefront.  [[Trevir]]ite audiences favored opera buffa.
+
This list gives information for some of the most widely performed and successful operas, operettas, and musical theater of the [[West]].
 +
 
 +
Both [[Johaulia]] and [[Aurice]] claim to be the cradle of Pallathantic Opera.  The other great capitals, [[Trevirs]], [[Bryndyd]], [[Verdida]], [[Rhafyx]], [[Yophénthë]] can boast of their own fine productions, but make no such claims.  Opera or high musical theater began in modern times in the twenty fifth century in the cultural centers of [[Vindalia]], chiefly [[Johaulia]], [[Azabria]], and [[Aurice]].  The art form spread through the early twenty sixth century into [[Ithatia]], western [[Corundy]], southern [[Pytharnia]], and [[Erechóreb]].  Operatic theater companies performed their favorite operas in southern [[Barathorn]] and northern [[Orrhymby]].  Tragic opera was the standard well into the twenty sixth century, but the rising trend for comedy began nearly at the start of the same century.  Towards the latter half of the twenty seventh century, the Aurician masters, [[Enrayom the Cantiran]] (2591 to 2663) and [[Tmaru Vazancha]] (2583 to 2658), developed [[Dark Aurician Opera]] with its occasionally sadistic treatment of characters.  The Auricians also developed the adventure-themed opera (compare dramatic) which many critics considered little more than lightly veiled state propaganda for Aurice's then ongoing campaigns in [[Eloaria]].  The [[Johaulia]]ns achieved extraordinary accomplishments during the second half of the twenty seventh century in lyric opera.  [[Bryndyd]]ite composers and librettists brought sacred opera to the forefront.  [[Trevir]]ite audiences favored opera buffa.
  
  
 
{| border="0" style="border: 1px solid #999; background-color:#FFFFFF; valign:center" class="wikitable sortable"
 
{| border="0" style="border: 1px solid #999; background-color:#FFFFFF; valign:center" class="wikitable sortable"
!width="380"|Opera Name
+
!width="350"|Opera Name
 +
!width="180"|Language
 
!width="200"|Composer
 
!width="200"|Composer
 
!width="200"|Librettist
 
!width="200"|Librettist
Line 11: Line 14:
 
!width="200"|Remark
 
!width="200"|Remark
 
|-
 
|-
|[[The Last Suitor]]||[[]]||[[]]||align="center"|2583||[[Aurice]]||Tragedy||
+
|[[The Voyage of Aturyanda]]||align="center"|[[Jaithan Language|Jaithan]]||[[Anghira Yunya Shakizhur]]||[[]]||align="center"|2497||[[Johaulia]]||[[Epic Opera]]||
 +
|-
 +
|[[The Sons of Shalukka]]||align="center"|[[Jaithan Language|Jaithan]]||[[Athumya Saddhya Dabbanyar]]||[[]]||align="center"|2518||[[Johaulia]]||[[Epic Opera]]||
 +
|-
 +
|[[The Last Suitor]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2583||[[Aurice]]||Tragedy||
 +
|-
 +
|[[The Sorcerer of Ugorn (Opera)]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2591||[[Aurice]]||Comedy||
 +
|-
 +
|[[The Banquet of Lord Levancrine]]||align="center"|[[Throvian Language|Throvian]]||[[Nardolo]]||[[]]||align="center"|2614||[[Aurice]]||Comedy||
 
|-
 
|-
|[[The Sorcerer of Ugorn (Opera)]]||[[]]||[[]]||align="center"|2591||[[Aurice]]||Comedy||
+
|[[Dragonlord]]||align="center"|[[Throvian Language|Throvian]]||[[Didio Zedasioliphi]]||[[]]||align="center"|2619||[[Aurice]]||Tragedy||
 
|-
 
|-
|[[The Banquet of Lord Levancrine]]||[[Nardolo]]||[[]]||align="center"|2614||[[Aurice]]||Comedy||
+
|[[A Daughter for the Queen]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2648||[[Aurice]]||Tragicomedy||
 
|-
 
|-
|[[Dragonlord]]||[[]]||[[]]||align="center"|2619||[[Aurice]]||Tragedy||
+
|[[The Bath Times of Lord Ulcanov]]||align="center"|[[Throvian Language|Throvian]]||[[Enrayom the Cantiran]]||[[Tmaru Vazancha]]||align="center"|2649||[[Aurice]]||[[Aurician Dark Comedy]]||
 
|-
 
|-
|[[A Daughter for the Queen]]||[[]]||[[]]||align="center"|2648||[[Aurice]]||Tragicomedy||
+
|[[Airdred of Goscundy (Opera)]]||align="center"|[[Throvian Language|Throvian]]||[[Enrayom the Cantiran]]||[[Tmaru Vazancha]]||align="center"|2653||[[Aurice]]||[[Aurician Dark Comedy]]||
 
|-
 
|-
|[[The Bath Times of Lord Ulcanov]]||[[Enrayom the Cantiran]]||[[Tmaru Vazancha]]||align="center"|2649||[[Aurice]]||[[Aurician Dark Comedy]]||
+
|[[The Curse of House Bijäl (Opera)]]||align="center"|[[Jaithan Language|Jaithan]]||[[]]||[[]]||align="center"|2653||[[Johaulia]]||Tragedy||
 
|-
 
|-
|[[The Curse of House Bijäl (Opera)]]||[[]]||[[]]||align="center"|2653||[[Johaulia]]||Tragedy||
+
|[[Sangorn's Watch]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2654||[[Aurice]]||Adventure||
 
|-
 
|-
|[[Sangorn's Watch]]||[[]]||[[]]||align="center"|2654||[[Aurice]]||Adventure||
+
|[[Sempiterne]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2658||[[Aurice]]||Tragicomedy||
 
|-
 
|-
|[[Sempiterne]]||[[]]||[[]]||align="center"|2658||[[Aurice]]||Tragicomedy||
+
|[[The Pirate King (Musical Comedy)]]||align="center"|[[Medibgóëse Language|Medibgóëse]]||[[]]||[[]]||align="center"|2672||[[Trevirs]]||[[Musical Comedy]]||
 
|-
 
|-
|[[Indolise]]||[[]]||[[]]||align="center"|2717||[[Aurice]]||Tragedy||
+
|[[Indolise]]||align="center"|[[Throvian Language|Throvian]]||[[]]||[[]]||align="center"|2717||[[Aurice]]||Tragedy||
 
|-
 
|-
 
|}
 
|}
  
|[[x]]||[[]]||[[]]||align="center"|x||[[x]]||[[x]]||
+
|[[x]]||align="center"|[[Language]]||[[]]||[[]]||align="center"|year||[[x]]||[[x]]||
 
|-
 
|-
  

Latest revision as of 13:28, 1 July 2019

This list gives information for some of the most widely performed and successful operas, operettas, and musical theater of the West.

Both Johaulia and Aurice claim to be the cradle of Pallathantic Opera. The other great capitals, Trevirs, Bryndyd, Verdida, Rhafyx, Yophénthë can boast of their own fine productions, but make no such claims. Opera or high musical theater began in modern times in the twenty fifth century in the cultural centers of Vindalia, chiefly Johaulia, Azabria, and Aurice. The art form spread through the early twenty sixth century into Ithatia, western Corundy, southern Pytharnia, and Erechóreb. Operatic theater companies performed their favorite operas in southern Barathorn and northern Orrhymby. Tragic opera was the standard well into the twenty sixth century, but the rising trend for comedy began nearly at the start of the same century. Towards the latter half of the twenty seventh century, the Aurician masters, Enrayom the Cantiran (2591 to 2663) and Tmaru Vazancha (2583 to 2658), developed Dark Aurician Opera with its occasionally sadistic treatment of characters. The Auricians also developed the adventure-themed opera (compare dramatic) which many critics considered little more than lightly veiled state propaganda for Aurice's then ongoing campaigns in Eloaria. The Johaulians achieved extraordinary accomplishments during the second half of the twenty seventh century in lyric opera. Bryndydite composers and librettists brought sacred opera to the forefront. Trevirite audiences favored opera buffa.


Opera Name Language Composer Librettist Year Venue Style Remark
The Voyage of Aturyanda Jaithan Anghira Yunya Shakizhur [[]] 2497 Johaulia Epic Opera
The Sons of Shalukka Jaithan Athumya Saddhya Dabbanyar [[]] 2518 Johaulia Epic Opera
The Last Suitor Throvian [[]] [[]] 2583 Aurice Tragedy
The Sorcerer of Ugorn (Opera) Throvian [[]] [[]] 2591 Aurice Comedy
The Banquet of Lord Levancrine Throvian Nardolo [[]] 2614 Aurice Comedy
Dragonlord Throvian Didio Zedasioliphi [[]] 2619 Aurice Tragedy
A Daughter for the Queen Throvian [[]] [[]] 2648 Aurice Tragicomedy
The Bath Times of Lord Ulcanov Throvian Enrayom the Cantiran Tmaru Vazancha 2649 Aurice Aurician Dark Comedy
Airdred of Goscundy (Opera) Throvian Enrayom the Cantiran Tmaru Vazancha 2653 Aurice Aurician Dark Comedy
The Curse of House Bijäl (Opera) Jaithan [[]] [[]] 2653 Johaulia Tragedy
Sangorn's Watch Throvian [[]] [[]] 2654 Aurice Adventure
Sempiterne Throvian [[]] [[]] 2658 Aurice Tragicomedy
The Pirate King (Musical Comedy) Medibgóëse [[]] [[]] 2672 Trevirs Musical Comedy
Indolise Throvian [[]] [[]] 2717 Aurice Tragedy

|x||align="center"|Language||[[]]||[[]]||align="center"|year||x||x|| |-

See Also